Start now saying that is the worst film I've seen in recent times. I will not dwell even make the comparison with Eight and a half , Fellini's masterpiece that has inspired this musical. Maybe I would not even go see it because (Mark was right), I left already biased, but I had seen the same director Chicago and Memoirs of a Geisha, I was not mad but I had not even disgusted ... The fact is that it is just of an American: completely omits salient parts of the original, it is also true that this is not a remake, but uses a few key points of the film to make them a story interspersed with songs and dances. The cast is definitely star Daniel Day-Lewis was in the part of Mastroianni is a big fig tree and is the only exception. It 'very good, no doubt about it, but it is not even remotely comparable to the interpretation of Mastroianni. Not a bit '.
However, we are in the Cinecittà studios in 1965. Guido Contini (and not as Guido Anselmi in Eight and a half, why?) is a creative director in crisis, his producer and his staff (the producer was given to Ricky Tognazzi, in the film there are several Italian actors, Mastrandrea, Elio Germano - for the happiness of my cousin, and also Martina Stella - I say all) are working hard to do on the new film, but he has too much trouble for the head. His biggest problem is the relationship with the women in his life: his wife (Marion Cotillard, beautiful and cold but no shirts with mandarin collar - a few will understand), his mistress (Penelope Cruz in the role that was Milo's ..... ah, I suffered a lot), his muse (Kidman, the Cardinal was in the original is completely opposed to each other) and mother, who appears in the guise of a ghost of his memories (played by Loren. Please Sofia, never again. No more a thing. There were those who sneered at the cinema "Loren is made of wood!") . A disaster, but more importantly, what happened to her friend Scarlett, Jiminy Cricket and adviser to drive? I want to say that maybe in the musical is the costume designer (Judy Dench with an unlikely bangs)? And why? Shocking second point, who will look at Nine you ask, but Kate Hudson, and as stilosissima Where's My Car, What does? I remember very well if Eight and a half there had been a journalist for Vogue Who Shagged Me with the main character. Absurd! Not to mention his stacchetto, which pulls out all the possible cliches about Italians and our cinema, embarrassing. The attachment because it makes you laugh:
is not bad either Fergie of Black Eyed Peas in the role of Saraghina, very very similar.
The fact is that I threw out four euros and in the Cineplex a room was also broken heating.
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