When I read that the director of this film is the originator of Nip / Tuck I could not resist. I love that show! In the absence of new episodes on my favorite plastic surgeons, I opted for a healthy vision of this film. I liked it, I loved it.
Ryan Murphy delivered the film on Augusten Burroughs's autobiographical novel of the same name. An incredible autobiography, childhood and adolescence ruthless, in the background, the America of the year 70.
Augusten's mother (Annette Bening) who probably will look like in twenty years: great, but obsessed with itself and the desire to succeed as a writer. His father (Alec Baldwin), is ruined by a Lardos. The relationship between the two is obviously not idyllic ... trying to get out of each other several times (I love this kind of fight, soon will cover War of the Roses ). Augusten is sent by his mother at the home of her psychiatrist, Dr. Finch (Brian Cox).
She is too much trouble to take care of Augusten, but the house of Dr. Finch's not really a healthy place, so to speak. I would say that this is a reality even more borderline.
The historic Bennie and the Jets Elton John accompanied his arrival in the house of a psychiatrist, a pink Victorian house full of strange things, strange, a taste-delusional kitsch carried to extremes. He knows the doctor's wife (Jill Clayburgh) clearly hallucinating, a lover of dog food and the B horror movie series, his daughter Natalie (Evan Rachel Wood that bitch, girlfriend of Marilyn Manson's new muse, and I hope that Allen-Diane Keaton not ask more than the word), who plays the strange case of the girl and easily disturbed, and another daughter, Hope (with fantastic fantastic Gwineth Paltrow Victorian skirts). Life at home is definitely Finch naive, if not shocking: the Christmas tree that lights up all year, the cat who communicates with Freud Hope, absurd objects that fill the villa as a backdrop to a family eccentric disturbed by a thousand frustrations. Augustin mainly bound with Natalie, and her contemporary moviegoer as he was. At Lina Wertmuller Film Festival, he reveals himself as gay, auks she decides to submit the adopted brother, Neil (Joseph Fiennies), which begins with the joys of sex: Augusten is left shocked, just like when she discovers that her mother is a lesbian.
In some places the plot goes a bit 'slow, compassionate, and the story is all too likely, on the edge of surreal episodes created specifically to disturb the viewer. But I'm used to the twists with Nip / Tuck, fact, the hype I expected them (and hope) in this film. I noticed other similarities with the series: first, the decision to include many songs, like the long video clips to play down the disturbing sensations that convey the characters. But even the glamorous atmosphere-coated, attention to detail improbable colors bright, contrasting with the gray lives of the characters, characterized by hysteria, psychological perversions and self-harm.
This trailer does not reflect the slightest sense of the film, cursed people the editor!
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